Amitabh Bachchan Is The Weak Link In An Otherwise Cracking ‘Gulabo Sitabo’
This is not the first time that Amitabh Bachchan's histrionics have encroached upon a breezy Shoojit Sircar movie. He's done it earlier with Piku.
Author: Tatsam Mukherjee
‘The Last Dance’ Tells Us What Goes Into The Making Of A Champion Enterprise
ESPN's The Last Dance, streaming on Netflix, is a paean to the legend of Michael Jordan and his unwavering determination to be the best.
There’s Just No Other Way To Put It, SRK-Produced ‘Betaal’ Is A Train Wreck
Betaal is so irresponsible in the way it tells its story about colonial-era spirits, some might accuse the showrunners of flirting with superstition.
‘What Are The Odds’ Review: High On Quirk, But Where Is The Warmth?
What Are The Odds' aesthetic, that's a quarter portion Wes Anderson film and three-quarter portions of a Prateek Kuhad music video, quashes its sincerity.
Abhishek Banerjee On Pataal Lok, Being A Casting Director, And The Line That Saved His Acting Career
Talking about Amazon Prime's Pataal Lok, Banerjee spoke of his experience as a casting director helped him as an actor, and how one line changed his life.
‘A Viral Wedding’ Review: Where Novelty Is Outdone By Rushed Execution
For the lack of a central conflict, 'The Viral Wedding' feel like an exercise in accommodating the gimmick of India's first 'shot-during-lockdown' series.
‘Togo’ Is The Kind Of Disney Optimism We Need In Such Hopeless Times
Films like Togo are a reminder about why cinema was invented in the first place, to provide an escape in such terrible times.
Irrfan’s Ashoke Ganguli In ‘The Namesake’ Shows Beauty Lies In The Details
How wonderfully awkward, silent, bheetu (afraid), and mostly stoic Irrfan's Ashoke Ganguli is, who always seems to be 'fine' during phone calls.