‘Ujda Chaman’ Isn’t ‘Bald’ Enough To Start A Serious Conversation About Anything
Ujda Chaman is too timid to say anything profound about the issue it has taken up, and neither is it witty about handling the protagonist's predicament.
Author: Tatsam Mukherjee
Depending On Rajkummar Rao To A Fault, ‘Made In China’ Is All Bark & No Bite
Forget about having a distinct point-of-view, Made In China doesn't even meet Bollywood's low bar of an 'entertaining' film.
‘Saand Ki Aankh’: One More Case Of Bollywood Not Giving A Flying Duck About ‘True Stories’
Like many films before it, Tushar Hiranadani's Saand Ki Aankh is yet another Hindi film that is terribly dishonest about its subject matter.
‘Upstarts’ Is Too Vanilla To Say Anything New About Startup Culture
Upstarts navigates the trials and tribulations of the entrepreneurship world, with a sincerity few Hindi films exhibit these days.
Today in 2019-Bollywood: Box Office Records Everywhere But Not One Memorable Film
In a year where War is the fourth film to breach the 300-crore mark at the box office... it's been a rather listless year for Hindi cinema.
Why ‘Succession’ Is Hands Down The Most Watchable Show On The Web Right Now
The Roys in Succession are the face of 21st century capitalism, apparently untouchable, and cutting a good deal helps them breathe better on a normal day.
‘The Sky Is Pink’: A Tale Of Loss That Doesn’t Say Anything New About Grief
The Sky Is Pink has nearly all the ingredients for what would qualify as a legitimately good Hindi film... but it's missing that Chemical X.
‘Joker’ Made A Reported $243 Million In Its Opening Weekend & Here’s Why It’s Great News
Todd Phillips's Joker might or might not remain in public memory in a few weeks, but it has taken the first step by shaking things up.