Rajkummar Rao’s ‘Omerta’ Plays Devil’s Advocate, But Has Nothing New To Say
Omerta is an adequately thrilling film, but it doesn't even have the depth of a 60-minute episode. What lies behind those piercing eyes?
Movie Reviews
Varun Dhawan’s ‘October’ Assures You That There Is Still Hope For Bollywood
October is, actually, a well thought-out response to the Badrinaths that Bollywood dispenses with such staggering dishonesty these days
‘S Durga’ Is A Resounding Slap On The Face Of ‘Indian Society’
Sanal Kumar Sasidharan's 'S Durga' is a provocative film, that holds a mirror to the society's depressing and rampant moral-policing ways.
Irrfan’s ‘Blackmail’ Is A 140-Minute Joke With A Punchline That Never Comes
Watching Blackmail is like sitting through an hour of stand-up, waiting for that one joke that gives you your money's worth. Alas, that joke never comes.
Confusing, lazy and irrelevant, ‘Aiyaary’ is far from Neeraj Pandey’s best work
While one would assume Pandey would have aced the genre by now, Aiyaary is just a bare espionage drama with no mystery
‘Black Panther’ is Marvel’s most political film yet. Do. Not. Miss. It
Black Panther is a war-cry from Hollywood's African-American folk on behalf of their brothers and sisters from around the world.
Homophobic, Islamophobic and regressive, ‘Padmaavat’ embodies its own protestors
Padmaavat, reeks of artistic and ideological compromises. It's a film designed to breed hate. Rather, thrive on it.
If ‘Kaalakandi’ was a drug, it wouldn’t kick in at all
Akshat Verma's writing debut Delhi Belly was much more freewheeling and 'mad', while Kaalakandi seems hellbent on 'keeping it sane'.